Kazhuvethi Moorkkan Review:
Movie: Kazhuvethi Moorkkan
Starring: Arulnithi, Dushara Vijayan, Santhosh Prathap, Saya Devi, Munishkanth, Sarathlokith Sava, Rajasimman, Yaar Kannan
UnfoldedNow.Com Rating: 3/5
Released date: 26 May 2023
Genre: Action
Director: Gowthama Raj
Cinematography: Sridhar
Runtime: 150 minutes
Producer: S. Ambeth Kumar
Music Director: D. Imman
Production: Olympia Movies
Kazhuvethi Moorkkan Movie Plot
According to the movie’s narrative, Ramanathapuram district residents Moorkan and Bhoominathan were buddies. Bhoominathan is calm, but Moorkan is impolite. What will transpire if someone tries to put them against one another?
Kazhuvethi Moorkkan Review:
In the tale, Kazhuvethi Moorkan, two young boys who are separated by caste but connected by a relationship that began in school are depicted. Moorkkan (portrayed by Arulnithi) protects Boomi (portrayed by Santhosh Pratap) from despair in every circumstance while a political party tries to establish power in the hamlet through caste-based meetings and propaganda.
Trouble arises, though, whenever a political party makes an effort to establish control in the hamlet through caste-based events and propaganda. When Boomi stands up to them, they come up with a scheme to turn the tables and capture Moorkkan in the course of things. Moorkkan runs, putting police on the chase as he struggles with the choice between suffering a terrible loss and risking his life.
This movie stands out because it avoids placing blame and instead highlights the positive qualities and vices inherent in both camps, where some fall prey to the seduction of riches and power. This movie’s conflicts are realistic and interesting, keeping us interested the entire time. As we learn what Moorkkan will be up to, the second half becomes fairly predictable, but the language and storyline have been developed to a mature enough level for us to comprehend the director’s aims. Santhosh Pratap gives a standout performance on his part as an altruist who fights for learning in a world of need, while Arulnithi convincingly portrays a young guy who is enraged. Another great job is added to Dushara Vijayan’s resume.
Despite the writing’s complexity, the picture required far greater workmanship. Instead, the technical team of the movie fails miserably, from mixing to D. Imman’s terrible background music. The movie’s technical components are respectable and adequately aid the story, including D Imman’s background soundtrack enhancing different emotions. The early part of the movie could have been done without one song, though, as it drags out the story. The scenes don’t flow together well, and the editing is frequently rough and quite bad. Additionally, the background music is excruciatingly melodramatic and generic.
There is no originality; only template sounds, like those in TV operas, that simply convey the tone of the song without adding to it. Finally, Tamil filmmakers are not required to script romance if they lack the necessary skills.
Even more so when the entire incident doesn’t advance the major narrative. Even though Gauthaman went beyond his way in order to make Dushara’s character important to the plot, the script is hampered as a result. Although the goal, in this case, is sound, the execution falls short throughout the whole film.
Overall, Kazhuvethi Moorkkan’s strong script succeeds in holding our attention to a significant degree.
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